![]() ![]() One point of criticism is the arc of Emma. As the film progresses, however, the audience sees less of this and makes way for more plain, fading surroundings such as the hospital at the end of Act III. Initially, the sets ((particularly the House of boys itself)) are loud, elaborate, and colorful. Especially impressive is Schlim's use of set design to convey the change in tone within the film. The audience is allotted ample opportunity to become invested in the arcs of several of the key characters and appreciate the growth they reach at the end, with one exception. As the film progresses, the characters introduced continually strike the audience as authentic, likable, and sympathetic. Unlike a number of gay themed films, director Jean-Claude Schlim took great care that his actors performances did not come off as inauthentic or wooden. ![]() As Frank gets to know the rest of the performers and their stories, this reviewer finds that the audience will get more than what they bargain for as Frank starts to learn about the World in its troubles. After being abandoned by by a friend, Frank wanders into the gay strip club/brothel the House of Boys, where he is offered a job. House of Boys follows the story of Frank, a young man who runs away from home in order to pursue a liberated lifestyle in Amsterdam. ![]() The first ten minutes of this film might lead you to believe that it is little more than a campy celebration of homo-eroticism however, this could not be further from the truth.
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